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Home » fire

Creative

Epic Steel Wool Photography with a Graffiti Backdrop

  • May 10, 2015May 10, 2015
  • by Zhi Lee

The Images

Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera left with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera left with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee
Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee
Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee

 

Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee

 

Idea and Theme

Following from our fiery dark angel shoot that also involved fire, I wanted to build on the experience we already had shooting at Corbans Estate Arts Centre.  (For more info on our previous hip hop themed shoot, check out this blog post).  And so we set out with a casting call with the keywords “Epic”, “Dark”, “Graffiti” and “Fire”.

Kyran Tashea Makeup Artist responded with these concepts when I asked for a gangster / rock-and-roll look.  The final makeup on the day differed slightly as we had to improvise with water resistant makeup that wouldn’t run in the rain.

Makeup Diagram by Kyran Tashea Makeup Artist
Makeup Diagram by Kyran Tashea Makeup Artist

Warm-up Profile Shots

To get into the groove, we warmed up with a few profile shots that Kyran and Priya could use in their portfolio.  As this was an unpaid collaboration, I feel it’s important for everyone to take something valuable home (apart from the fun we had on-set of course!).

Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle)
Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle). Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee
Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle)
Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle). Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee
Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle)
Canon 6D, 1/160 sec at f /7.1, 58 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox, YN 568 EX II model rear right with 30x30cm Softbox (no baffle). Model: Vijay Prema. Photographer: Zhi Lee

 

Preparation

Having asked for permission from Corbans Estate Arts Centre (Henderson, Auckland), we set out to meet at 8pm on a Friday, despite the rain.  Vijay and I pulled up in different cars to a lone car parked in the upper carpark.  We knew it had to be our model, Priya Wallabh, or makeup artist, Kyran.  It was Kyran.

To add to the challenging conditions, we had to push start Kyran’s car as her battery went flat while waiting with headlights on.  Turning up to a shoot early, that’s dedication!  Priya arrived shortly after and as it was still pouring, the best course of action was to have makeup done in the car.  More trying conditions!

Makeup in trying conditions - What can you do in the rain, right?
Makeup in trying conditions – what can you do in the rain, right? Makeup: The talented Kyran Tashea.

Lighting

Finally, with a bit of patience and luck, the skies cleared up at 9pm.  There were 2 walls to choose from – a low colourful wall that turned out to be too overwhemling with the sparks so I made it monochrome …

Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee

… and a much taller black and white one.  We decided to go for the latter because it gave us good height as a backdrop, and the top of the wall was conveniently the upper deck of the carpark, which allowed us to spin the steel wool from a height.

This was the final lighting setup, a powerful strobe at 3/4 power to the right of the model.  Initially, we started out with a 20 second exposure, which was very challenging for Priya, as 20 seconds is a long time to keep absolutely still.  We then dropped it to 10 seconds, but that required more fervour from the steel wool swinger, getting as much sparks flying as possible within the shorter amount of time.

Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera left with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera left with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee
Canon 6D, 20.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 20.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox. Makeup: Kyran Tashea. Model: Priya Wallabh. Photographer: Zhi Lee

The Crew

Thanks to these outstanding people who made it possible:

Model: Priya Wallabh
Makeup: Kyran Tashea
Photographer: Zhi Lee http://localhost:8888/zlphotography
Assistants: Vijay Prema, Sirina

Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 10.0 sec at f /10, 24 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 20.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox
Canon 6D, 20.0 sec at f /10, 5 mm, 100 ISO, Visico 300W Strobe to Camera Right with 80x120cm Softbox

Safety

Precautions were taken with a fire extinguishing can on standby.  Vijay and I had practised on a separate set beforehand so we knew what we were doing.  Never attempt steel wool photography on dry grass or near flammable items.  We had the safety net of wet walls and floors that were the aftermath of the rain.

Equipment

All you need is a bunch of steel wool caged within a whisk.  Set it on fire and then swing the whisk around (carefully), with a lanyard clipped into the end of the whisk
All you need is a bunch of steel wool caged within a whisk. Set it on fire and then swing the whisk around (carefully), with a lanyard clipped into the end of the whisk

 

For more information on how to do steel wool photography, check out one of these videos on Youtube.


 


  • Aperture: ƒ/10
  • Camera: Canon EOS 6D
  • Flash fired: no
  • Focal length: 24mm
  • ISO: 100
  • Shutter speed: 10s

Related Images:

Corbans Estate Hip Hop Orbis Ring Flash Lit DJ Jynkz Corbans Estate Hip Hop Corbans Estate Hip Hop Corbans Estate Hip Hop Corbans Estate Hip Hop
Creative

Behind-the-scenes Video – Photo shoot with Angels and Fire

  • February 26, 2015January 7, 2017
  • by Zhi Lee

What do you get when you put some adventurous photographers and models, and a dark firey concept together?

Some blazing photos!

For more images, check out these posts:

Fallen Dark Angel Holding a Branch

Fallen from Heaven

Credits

Photographers

Zhi Lee Photography / http://zhi-lee.com
Node Photography / http://nodephotography.com

Hair and Makeup

Makeup by Lisa Robb

Models

Alisha Fitzpatrick
Katrina McCloy

Venue

Evoke Studio (Thanks Sue for trusting us with your backyard).

Video and Pyrotechnics

Vijay Prema

Assistants

Don Chin & Vincent Chik

Creative

Hot Angel Photo Shoot – Lighting setups explained

  • July 22, 2014
  • by Zhi Lee

A little behind the scenes and explanation of our lighting setup for those wondering how it came together!

A 80cm x 120cm strobe with blue cellophane in front of the outer baffle, prepped cautiously on a ladder on top of the pergola.  This gives off a blueish light, perfect for the night lighting we wanted to create.
A 80cm x 120cm strobe with blue cellophane in front of the outer baffle, prepped cautiously on a ladder on top of the pergola. This gives off a blueish light, perfect for the night lighting we wanted to create.  We wanted to create a rim light coming from high above slightly from the back.  This would create an angelic effect around the model as if the light were from the heavens.
Testing the top lighting
Here’s the effect of the blue rim light from above the pergola. And our very charming and talented pyrotechnics man Vijay, without whom none of this would have been possible.
Setting up the source of fire
We ripped the top off a garden citronella oil burner which you can get from your local hardware store for about $5. It was perched on top of a ceramic pot. A funnel filled with fine cornflour (the cornflour was passed through a sieve to make it very fine) was placed against the base of the fire pointing upwards.
Dark Angel Photo Shoot - Lighting Setup Take 1
This was one of our first takes with the lighting and photo setup. Looking good, Sean.
Dark Angel Lighting Setup
Now we decided, we wanted a bit of red in the flames to add a bit of heat and interest. This would also mask the parts of the cornflour dust cloud that hadn’t burned (shutter pressed too early) or had already burned (shutter pressed too late). The WHITE cornflour would be given a RED tint. A speedlight with a red gel was placed at the base of the flame pointing upwards.
Dark angel photo shoot - Behind the scenes with model Katrina McCloy
Shooting through the flames, we managed to create the effect that the angels were actually burning. Model: Katrina McCloy
Dark angel BTS with Katrina McCloy
An outdoor shoot doesn’t come without challenges. Not only was our gear splattered with mud, so were our models feet! Model Katrina McCloy being a great sport!

The Final Images

Model: Alisha Fitzpatrick Makeup and Hair: Lisa Robb Photographer: Zhi Lee
Model: Alisha Fitzpatrick
Makeup and Hair: Lisa Robb
Photographer: Zhi Lee
Model: Katrina McCloy Makeup and Hair: Lisa Robb Photographer: Zhi Lee
Model: Katrina McCloy
Makeup and Hair: Lisa Robb
Photographer: Zhi Lee

 

Creative Portrait lit with Fire and Red Flash Against a Black Backdrop. By Zhi Lee
Yours Truly, Your Creative Man Zhi Lee
  • Aperture: ƒ/5.6
  • Camera: Canon EOS 6D
  • Focal length: 32mm
  • ISO: 100
  • Shutter speed: 1/100s
Creative

Angel Fallen From the Heavens

  • July 14, 2014July 14, 2014
  • by Zhi Lee

Forsaken, banished, forlorn, the dark angel gazes into the heavens, angry but repentant.

This image was lit with a blue softbox above and behind the model, making it seem like lighting from the heavens.  A red gel was added for slight accents to add to the surrealness in working with the fantasy theme.

The fire is real, created by dousing rags in alcohol and setting them alight on a wet leaf litter.

Canon 6D, 24-105mm @ f 4.5, 1/125s/ 45mm. Model: Alisha Fitzpatrick Makeup: Lisa Robb Photographer: Zhi Lee Pyrotechnics: Vijay Prema
  • Aperture: ƒ/4.5
  • Camera: Canon EOS 6D
  • Focal length: 45mm
  • ISO: 100
  • Shutter speed: 1/125s
Creative

Fallen Dark Angel Fantasy Shoot with Fire – Behind-the-Scenes…

  • July 7, 2014
  • by Zhi Lee

A Creative Collaboration with:

Models Katrina McCloy  Alisha Fitzpatrick  Vijay Prema
Makeup by Lisa
Hosted by Evoke Studio

Pyrotechnics by Vijay Prema
BTS Videography by Vijay Prema and Vincent Chik
BTS Stills and logistics by Don Chin and Vincent Chik

Model: Katrina McCloy Makeup: Lisa Robb Photographer: Zhi Lee Photography @__zhi
Model: Katrina McCloy
Makeup: Lisa Robb
Photographer: Zhi Lee Photography @__zhi BTS Image: Sean Dick

One day I was sick at home and watching BTS videos of other photographers. Then I came across Benjamin Von Wong’s fire shoot. For awhile now I have been wanting to do something collaborative with a few like minded people. I started thinking of a dark theme that would complement fire in the foreground or background. One thing led to another and I settled on a fallen dark angel theme in a forest location.

BTS Videographer: Vijay Prema Photographer: Zhi Lee Photography @__zhi
BTS Videographer: Vijay Prema
Photographer: Zhi Lee Photography @__zhi

The shoot required a lot of planning, reaching out to models and a makeup artist who understood the theme, illustrating the ideas by posting similar samples of other people’s work, searching for the right angel wings to buy, seeking out a suitable forest location that was secluded enough for privacy yet easily accessible, and practising generating and shooting fire.  Vijay and I completely thrashed my garage with cornflour and for days it smelt like a bakery from the residue of firestarters and cornflour dust.

Model: Alisha Fitzpatrick Makeup: Lisa Robb Photographer: Zhi Lee Photography @__zhi
Model: Alisha Fitzpatrick
Makeup: Lisa Robb
Photographer: Zhi Lee Photography @__zhi

We experimented with different setups and came to the conclusion that a long lens had to be used to compress the background and make the fire seem bigger as we couldn’t really generate a huge fire.

Creating the fire effects required for the levitation scene.
Creating the fire effects required for the levitation scene.

We’ll be posting more images as our edits come through.  But for now it’s time to get the gear thoroughly cleaned out.  I learned that softboxes don’t travel well through bush.

Model: Katrina McCloy Makeup: Lisa Robb Photographer: Zhi Lee Photography @__zhi
Model: Katrina McCloy
Makeup: Lisa Robb
Photographer: Zhi Lee Photography @__zhi
  • Aperture: ƒ/4
  • Camera: Canon EOS 6D
  • Focal length: 105mm
  • ISO: 400
  • Shutter speed: 1/125s

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